If You Always Do What You Always Did…

My mom will be pleased to read that some of the things she has said to—or in some cases drilled into—me have stuck with me into adulthood. This she has said both to me and to her own mother on countless occasions: “If you always do what you always did, you’ll always get what you always got.” 

A quick google search found that quote attributed to author Tony Robbins, along with Albert Einstein and Henry Ford. I’m not sure where my mom first heard it (and no, I didn’t bother to ask), but it clearly stuck with her as she passed it on to me. I would be inclined to believe it came from an innovator like Einstein or Ford because it expresses the idea that if you keep doing the same thing, you’re going to keep seeing the same result. 

Sure there are more details involved, but you can imagine Henry Ford standing in the factory saying, “Ah murderation (or some other old-timey exclamation)! If we keep building one car at a time, we’ll just keep making one car at a time and it will take lifetimes to see all of America driving automobiles!” or something to that effect. And thus, the assembly line was born. 

My mom has so far not heeded this advice when I’ve come to her in shambles because I haven’t been able to revolutionize an industry. But she does present it when I come to her and say, “I have x problem and it’s not getting fixed because y.” The y is usually some person with routine patterns that need to change or some job that needs to change or some habit I’ve created that I need to change. In essence, she cuts right to the point. No nonsense, no frills. If you can change it, you have to—if you want the result to be different.

Why in the world could I possibly be writing this when we’ve just had two mass shootings in 24 hours? I can’t possibly put two and two together.

But it’s bigger than that. I know we are not the same country we were when Columbine happened. Or Virginia Tech. Or Sandy Hook. Things have changed, albeit on a microscopic level, but things have changed and I won’t pretend people aren’t doing anything to change the routine of gun-related tragedies. But we have to understand that on a macro scale, the effort to end gun violence has remained mostly the same. You don’t need to be a policy expert to see that. Why? Because we’re getting the same result. Either we’re not changing the right things or maybe we just aren’t changing anything.

Take it outside of gun violence, and I keep begging the question: why are we as a country doing the same thing year after year, election after election and expecting different results?

When I was in my last semester of college, I had a painting professor give us a prompt to think about and eventually paint about. He gave us with no context this quote: “The master’s tools will never dismantle the master’s house.” I didn’t google it at the time—I’m not sure if we were explicitly prohibited or if I was just lazy—but I now know where it comes from and that alone will give a lot of folks all the context they need. But the class discussion illuminated for me the meaning that whoever is in charge is not going to be taken down by the same means that they were put in power. The actual reference is a book by civil rights activist, Audre Lorde.

If defeating Trumpism™—or however you choose to define the chaos everyone is seeing in this country—is the goal, then the strategy we tried to use to beat it in 2016 is obviously not going to work. Yet here we are trying it again. Maybe if we just vote harder this time…

I don’t mean to sound so pessimistic about the future and the work that some leaders are doing to combat hatred as well as the other issues like climate change, healthcare, and immigration. But I find it truly mind-blowing that we have really just gotten so comfortable with the idea that the America where people aren’t in constant anger if not fear and sadness will reappear (or, for many many people, appear for the very first time) if we just keep doing the same routines. 

I will put it in writing: I would love to see a revolution in this country. As a historian, yes I think it was something of a remarkable bureaucratic feat to create this nation at the time of its foundation. To be able to fight against the strongest military in the world and with no legal right and a noose on the line to say “We want this freedom and we’re not going to stop until we get it,” is really bold. 

There is no difference between what the founders did 243 years ago and what a group of determined individuals who band together, go against the grain, and refuse to quit can do today. We take the American Revolution for granted because we think that should have been the only one. 

Yes, that common phrase people say Jefferson said about every generation needing a revolution, is mostly fake. But he did say, “What country can preserve its liberties if their rulers are not warned from time to time that their people preserve the spirit of resistance?” He’s actually talking about Shay’s Rebellion—a relatively small uprising over, go figure, taxes—which turned out to be a major catalyst for the writing of a small document known today as the Constitution.

I’m going to try not to go down a historical rabbit hole here, but this example kind of nuances the thesis of “always doing what you always did.” The rebellion mirrored the Revolution in that these farmers felt they were being taxed unfairly, and they took physical action to get a say. The major change here was that they were farmers and not wealthy men leading the charge, and they were thus swiftly defeated. So to that end, it proves the point that doing the same thing won’t work. But they did see a changed result in that their protest made the people in charge realize the Articles of Confederation weren’t going to work.

From this example, we understand that a revolution in the traditional sense that Americans understand it probably won’t work. But we need to understand that the revolutions that work focus on the technical definition of a revolution: a dramatic and wide-reaching change in the way something works or is organized or in people’s ideas about it. 

There is no revolution so long as we’re using the same systems that built whatever it is that needs to be changed. There will be no real revolution until we change the entire way we think about how our government works.

What Have We Learned

2018 has quite literally felt like one of the longest years of my life. I’ve probably said that in some form every year for the last 3 years at least, but this one was particularly chaotic and thus felt like an eternity. But what have we learned? It’s been such a transitional year for me that it feels like I’ve lived three separate lives this year. And through it all, I’ve picked up a number of life lessons I thought I’d share.

I started the year as a senior in college interning at a fashion magazine. I was more broke than I had ever been in my life, but enjoying my final semester of college. Then I spent the summer interning at The Daily Beast, which was kind of like big-girl-job purgatory. Not because it was a bad experience, but because I had entered into adulthood in terms of working a 9-5 job and being out of school, but it wasn’t permanent, and I still went in every day with what felt like a sign on my back that said “intern.” And not because I was treated as such there, more just because I knew the whole time it was temporary and I spent a lot of time applying to other jobs and worried about what would happen when the internship was over. And now here I am finishing out the year as a full-time employee at LendingTree, enjoying the full benefits of paid time off, health insurance (granted, I’ve yet to actually utilize either of these literal benefits), and a level of job security I did not know before.

One taught me love, one taught me patience, and one taught me pain…I type that in jest, but that lyric really could be used to describe the different roles I went through this year. My glitzy fashion internship was more or less a bust. I threw so much money at the MTA just trying to make it a worthwhile experience, and at the end of the day, it wasn’t. I don’t regret doing it—I did learn what it’s like to work at a fashion magazine (yawn), and that some celebrities who will not be named give excruciatingly boring interviews. I can’t say for certain that the gig at ELLE allowed me to pursue my next endeavor, but I have to acknowledge that it didn’t detract me from my trajectory. I went into my next stint at The Daily Beast with the feeling that I had a minuscule amount of journalism experience.

My time at The Daily Beast did a few things for me. It made me love the news a little bit more and hate the news a little bit more. Part of that was just the timing, I mean I don’t know if there’s a news cycle that anyone really wants, but the one I worked with this summer was absolutely not it. It tapped into levels of empathy I didn’t know I had while exposing me to a vast list of things I do not understand. It challenged me to learn more while drawing on my education. In terms of hard job skills, I picked up a couple at The Beast, but I learned a lot more about myself that I’ll get into in a moment.

And here I am now just over a month into my new job at LendingTree. I won’t say more than I can about what the experience has been, but it has been positive. The corporate world is insane and I’m not sure I love that aspect of it, but my office is homely and my team has been incredibly welcoming. I have the satisfaction of knowing I’m where I’m meant to be right now.

So what have we learned?

Probably the biggest lesson I’ve taken out of this year is knowing when to be selfish, and doing it. I spent way too much time this year in my professional and personal life waiting for someone else to make a decision for me, or tell me what I want, when I absolutely could have and should have taken the reins. I always thought I was a selfish person until it was important for my well-being that I be selfish. It was hard (because I’m obviously super selfless). But I had to take a good look in the mirror (and get yelled at by my mom) to say, “Kamaron, you should be doing better.” Which brings me to my next lesson.

Patience is not just virtue, it is the virtue. Each of the jobs I had along with just being a person this year was a constant reminder to have patience. But with that, I also had to give myself a kick sometimes and say I’m not going to sit around waiting for this or that. I did and you do at some point need to say “Here’s what I can do to change this,” and then do it. There will always be factors you can’t change, but the ones you should change aren’t going to change themselves. Sorry to get preachy, but that was experience I really went through in my job search. Patience kept me a little bit sane when I sent out dozens of job applications that would get no response. Patience kept me from committing a crime when I would hear back from a job 5 months later letting me know I’d been rejected. But I also changed my resume or my search approach probably ten times throughout my process. I refused to give up half because I literally couldn’t, and half because I knew something good would come out of it.

One lesson The Daily Beast did reinforce for me was to have the confidence to speak up. I consider myself an outgoing person, but I am deathly shy especially when I know I’m in no position of authority. My defaults to thinking no one wants to hear my ideas because I’m just the intern or I’m just the assistant, or I’m just Kamaron…and I do regret the amount of time I spent at The Daily Beast not sharing my thoughts. It really just took my supervisor saying, “You should speak up more,” for me to be like “Oh they want my input.” Realistically I should have had the confidence all along to know they hired me for a reason and that I was a voice they wanted at the table, but it took a push for me to actually speak up. By the end of my time, my supervisor was applauding my ideas because some of them were actually good.

The final major lesson I’m taking away from 2018 is the greatest of all that I have now just ruined by tying it to a played-out cliché. Yeah it’s love. Wow, did Kamaron grow a heart in 2018? Kind of! I didn’t need to learn how to love, but I did start paying extra close attention to the way I show my love. Through all of the ups and downs of the year, I clung so tightly to the people in my life who make it all worth it. I went through a period in the year where I felt like I was being a really bad friend because I knew I didn’t show love the way my friends did for me. In some ways, I literally couldn’t—like when some of my friends show me love by paying for me to come out with them when I can’t afford to. But there were plenty of other ways other friends would show me love that I didn’t reciprocate for no reason.

I had friends on campus who without fail whenever I saw them, would offer to be there for me if I needed help with anything. Friends who consistently complimented my outfits or pictures online and in person. Little things that would make me smile or make my whole day, but I wasn’t doing for them—with no excuse. So I decided I needed to make an effort to show the people I love that I love them in whatever ways I could, just because I could. The real lesson here was realizing, these people weren’t doing these things for me because they had to, or for any ulterior motive. They just wanted to let me know that they love me and care about me, and I learned it is so special and important to let people know you love them in this way. Just in your every day interactions. It sounds kind of stupid now that I’ve written it down and I do feel like the Grinch character here who had to learn basic human affection, but progress is progress!

That was my 2018. I lived, I learned, I loved. Came, saw, and conquered. The what’s next question is big and open-ended for me right now, but that’s a good thing.

Happy Holidays, and a very Happy New Year

xoxo,

Kam

Eminem Takeover: Festival Season Has Never Looked So Shady

Music festival season is nearly upon us, and I like many other fans have been following lineup announcements like opening gifts on Christmas morning. But this year, Santa, or in this case the producers of festivals, seemed to all have the same idea: Marshall Mathers.

Don’t get me wrong, I like Eminem as much as the next guy. His bars occupy a lot of space on my workout and motivation playlists. I have appreciated every “return” Eminem has made to the charts, and welcomed his growth as an artist, despite being fonder of the original Slim Shady. But when it came to the announcements of these music festival lineups—Coachella, Governors Ball, Firefly, Bonnaroo, Boston Calling—seeing Eminem’s name appear in the largest letters on all the posters frankly bored me. Now certainly, I was not planning on attending all of these music festivals, if I could even afford to, but seeing the repetitive headliner bewildered me.

If I were to compile a list of the greatest artists of my generation, Eminem would likely be on there. But if I were to only pick one artist to play at every music festival, it wouldn’t be him. I don’t know that I could do that if given the chance, especially not if I was to be attending all of these festivals. Eminem’s latest album, Revival, debuted at number 1 on the Billboard 200, but only spent a week there. The album dropped in December of 2017, which likely contributed to its absence on notable year-end “Best Albums” lists, but I, for one, am still not seeing the merit of giving Slim headline spots at 5 major music festivals across the nation. Are the festival powers that be shoving Eminem down our throats? It kind of feels like it. Every year there is some overlap and in some years, an act has been the headliner at two festivals or so. But as far as I can tell, nothing like this has happened since Outkast reunited in 2014 and headlined Coachella, Governors Ball, and Firefly.

I asked my friend why she thought this happened with Eminem. She offered, “Because of what he did at the BET Awards.” Ahhhh. My friend was referencing the now notorious moment from October’s BET Hip Hop Awards when Eminem freestyled a roast of Donald Trump. It was a viral moment that coming from anyone else may have incited a tweetstorm from the President. But it didn’t. Eminem did something spectacular and unlike a lot of white artists by telling his fans outright, “If you’re for Trump, you can be against me.” The president did not respond. There are a number of speculations on why, but I think we all know the real reason—Eminem is a white man. That’s really all there is to it.

So while I think Eminem’s move was commendable, it still leaves me wondering if this is what earned him a spot headlining all these festivals. Does Coachella pick its artists based on activism? It’s unlikely. And if that is the case, if these festivals decided on Eminem because they think it’s a slap in the face of the presidency, I would advise them to think again. Yes, Eminem has picked his side and does not align himself with Trump, but if organizations are also trying to align themselves with the Trump resistance, it seems there are better options. Artists of color, artists who have been anti-bigotry since before the 2016 election, women, LGBT artists, Muslim artists, artists from “shithole countries,” the list of those better suited to stick it to the man is endless, and I appreciate the effort, but Eminem is not at the top of my list.

There are a number of different criteria for festivals to pick their artists, but the choice to have Eminem at all these venues baffles me. I’m underwhelmed musically and politically. If music festivals were really trying to take a stand, Slim Shady should probably sit down.

Boycott Taylor Swift

Here we go.

If any of you know me personally, you know that I am not a fan of Taylor Swift. For me, it started with the music. I am not a fan of country music, so I wasn’t really into her at first. Then she got into a more pop sound so I kind of liked her okay. Who didn’t jam out to “You Belong With Me” in 7th grade? Then something changed for me. I don’t know what, if I just got tired of her music and then full on didn’t like her or if something actually happened. I don’t remember. Either way by the time she was working on her plot to destroy America, I was over her.

Let me tell you about my issues with her now. First of all, I’ve always kind of seen her as a sellout. She’s from Pennsylvania, which can be a little hick-y in some parts, but not so much Reading, her hometown. So when she decides to go into country music, I personally see that as kind of fake. Like you’re singing with a twang, but you’re from the Northeast… Alright. THEN she sold out of country music into her transitional period. Where she was still winning country music awards but her music was basically pop. Again, I couldn’t care less about country music and who gets awards, but it’s kind of sketchy that she couldn’t pick a side and it seems to me she was trying to capitalize on the music industry. And now, she’s moved from being a pop princess to trying to rebrand herself as not only a pop singer, but a New Yorker city-loving girl. Again, she’s from Pennsylvania. Who is the real Taylor Swift?

No matter where she’s pretending to be from, she’s just a money hungry selfish businesswoman. I get it. We’re all trying to make a living here. But most artists in the industry are in it for the music, and I question Taylor’s motivation. She pretends to be this All-American sweetheart with a group of perfect little minions, but she’s evil.

What other artist sues their own fans for creating their own memorabilia? I can’t think of anyone. She does this. I’m all for artists making money off of their work. I think it is hard to make it big in that business. But she has made it big. She’s worth $200 million. Yet she sues her own fans for creating paraphernalia with her face on it, and has even sued the man who allegedly taught her how to play guitar. These are everyday people with probably everyday jobs, and she will not allow them to make a cent off of her. You can’t even play her music on Spotify EVEN if you pay for it.

But it’s not all about the money. If Taylor Swift is such a good and sweet girl, what is she doing for this world? She throws money at some charities here and there, so that’s nice, but easy. Her most public cause I think most people would argue is her feminism. This is problematic.

Taylor Swift is only a feminist when it is beneficial to her moneymaking schemes. A majority of her hits come from break-ups. That’s like her MO. And she eventually took a lot of heat from that. She was teased about dating a lot of men, being a crazy person, etc. And that was all funny until she started bringing up the point that men like John Mayer, whom she dated, are notorious womanizers and serial daters, yet get none of the attention like she does. As soon as she said it, everyone was like “Yay super feminist Taylor Swift!” but that was it.

NOW she has started all this beef with Nicki Minaj (BIG mistake), and not only made a statement about her stance on racism, but also contradicted her whole mantra. While unnecessarily defending herself, Taylor made a comment about “women putting down other women.” This is not the first time she has taken this stance. Back in 2013, about Tina Fey and Amy Poehler poking fun at her, Taylor said,

“You know, Katie Couric is one of my favorite people, because she said to me she had heard a quote that she loved, that said, ‘There’s a special place in hell for women who don’t help other women.'”

YET, in the tweet, Taylor Swift was defending her music video for her song, “Bad Blood.” “Bad Blood” is a song that Taylor admittedly wrote about another female artist. She wrote a song about how much she was hurt by this other artist, and created a whole music video where she gets her girl gang together to destroy this other FEMALE artist. Idea for her next song: “Foot in Mouth Syndrome.”

Leaving out the whole part about Nicki Minaj talking about racism, and Taylor Swift thinking it’s about her… Taylor Swift is a monster.